Over the past decade, Refik Anadol Studio has redefined the possibilities of media art at the intersection of aesthetics, data and machine intelligence. Since 2014, the studio has pioneered the use of custom AI models trained on vast datasets, from nature and urban life to cultural memory, to create generative realities that merge art, architecture, science and technology. Transforming weather patterns, ocean currents, city archives, museum collections and brain scans into monumental visual experiences, the studio expands the vocabulary of contemporary art. This first comprehensive volume traces more than ten years of innovation in data sculpture, AI-driven visualization, and large-scale immersive installations. Featuring essays by leading voices in architecture, media art, and artificial intelligence, alongside reflections from researchers and collaborators, it situates the studio’s work within broader cultural and technological contexts. Conceived as both a record and a projection, capturing a practice that is both technologically speculative and deeply humanistic. Refik Anadol’s work locates creativity at the intersection of humans and machines. Taking the data that surrounds us as primary material, and the neural network of a computerized mind as a collaborator, Anadol offers us radical visualizations of our digitized memories and expands the possibilities of interdisciplinary arts. Anadol’s AI data paintings and sculptures, live audio/visual performances, and immersive installations take many forms, while encouraging us to rethink our engagement with the physical world, public art, decentralized networks, and the creative potential of AI. Refik Anadol Studio has been a pioneering force in the realm of blockchain-based media art, consistently exploring the intersection of advanced technology, data aesthetics, and digital ownership.